In Shannon's place where many dwell
The pretty, the ugly, the high tone swell
They come to Havana to have some jolly
Sit around in the evening to discuss their folly
Right now this small hotel is graced
By charming lady with handsome face
And husband who get younger by the hour
Thinking how his wife is pretty like a flower
- 510514 A Muncie Murderess in Havana
Sorry, that's just terrible.
©Jimbo 2010/2011
Showing posts with label Bold Venture. Show all posts
Showing posts with label Bold Venture. Show all posts
Saturday, August 13, 2011
Wednesday, June 22, 2011
Review: Bold Venture
In 1951, Humphrey Bogart (who was the biggest film star at the time, bar none) and Lauren Bacall, his husky-voiced wife and herself a big screen star (thanks to the Bogart pictures she had previously been in) began the radio series, Bold Venture.
It took some doing to finally draw Bogart to radio. Firstly, it took a gob of money (Bogart and Bacall got $4000 for each of the 78 episodes) and secondly, the series was recorded on tape recorder; some say this was the first of it's kind. This allowed Bogart to be more versatile (and accept film roles) while doing the series without having to be on set all the time.
The show takes place in and around 1951 Havana, Cuba - back before the infamous Castro and just 11 years shy of the biggest cold war standoff in history.
Remember the Bogart film, To Have and To Have Not? Bold Venture takes the feel of that film and twists it a bit, making it more like the original story by Ernest Hemingway. What you have is the syndicated radio series (produced by some of the best writers and producers in radio and later, television, David Friedkin and Morton Fine.) Friedkin and Fine had previously written for the Broadway is My Beat and Crime Classics radio series.
The show revolves around Slate Shannon (Bogart) and Sailor Duvall (Bacall.) Bogart owns a hotel and is much older than Sailor; Sailor has a thing for Shannon and you think he probably has something for her too, but he keeps it quiet. They run the business together (she works for him) and though I have never heard it said on the show, I think that Shannon knows there could be trouble if he gets romantically involved with his younger business partner.
Shannon is in enough trouble as it is as it seems every drifter that rolls in takes a page from another Caribbean Bogart-Bacall film, Key Largo (where, by the way, the action revolves around yet another hotel.) Shannon and Sailor are often held hostage, robbed, beat up, etc. And both act as amateur detectives - basically, this is like the typical Bogart-Bacall Warner Brothers film of the 1940's, with this one exception: Bogart never carries a weapon. He faces the criminals with his wit and bare fists.
The reason why the show works is that it seems as if it is an extension of the films I have mentioned (and throw in the classic Casablanca for good measure.)
The show is full of the same innuendo that is in the films:
©Jimbo 2010/2011
It took some doing to finally draw Bogart to radio. Firstly, it took a gob of money (Bogart and Bacall got $4000 for each of the 78 episodes) and secondly, the series was recorded on tape recorder; some say this was the first of it's kind. This allowed Bogart to be more versatile (and accept film roles) while doing the series without having to be on set all the time.
The show takes place in and around 1951 Havana, Cuba - back before the infamous Castro and just 11 years shy of the biggest cold war standoff in history.
Remember the Bogart film, To Have and To Have Not? Bold Venture takes the feel of that film and twists it a bit, making it more like the original story by Ernest Hemingway. What you have is the syndicated radio series (produced by some of the best writers and producers in radio and later, television, David Friedkin and Morton Fine.) Friedkin and Fine had previously written for the Broadway is My Beat and Crime Classics radio series.The show revolves around Slate Shannon (Bogart) and Sailor Duvall (Bacall.) Bogart owns a hotel and is much older than Sailor; Sailor has a thing for Shannon and you think he probably has something for her too, but he keeps it quiet. They run the business together (she works for him) and though I have never heard it said on the show, I think that Shannon knows there could be trouble if he gets romantically involved with his younger business partner.
Shannon is in enough trouble as it is as it seems every drifter that rolls in takes a page from another Caribbean Bogart-Bacall film, Key Largo (where, by the way, the action revolves around yet another hotel.) Shannon and Sailor are often held hostage, robbed, beat up, etc. And both act as amateur detectives - basically, this is like the typical Bogart-Bacall Warner Brothers film of the 1940's, with this one exception: Bogart never carries a weapon. He faces the criminals with his wit and bare fists.
The reason why the show works is that it seems as if it is an extension of the films I have mentioned (and throw in the classic Casablanca for good measure.)
The show is full of the same innuendo that is in the films:
Sailor: You talk about Havana as if it were a woman.If you enjoy the films I've mentioned, you will most certainly enjoy Bold Venture.
Shannon: Do I?
Sailor: How do you talk about me behind my back?
Shannon: Walk ahead of me and I'll think of something.
©Jimbo 2010/2011
Tuesday, December 21, 2010
Hodge-podge [#04]
I am still working on the looks of the blog, forgive me again for any distractions.
I am adding links as I go along; I am finding some incredible OTR information out there so check the link section often for new things - especially today.
----
According ro the book, Raymond Burr: a film, radio and television biography, Burr did most of the series Fort Laramie in a wheelchair as he had an operation just before the series began.
Do you ever get the impression that every tune that calypso guitarist/singer King Moses plays on the show Bold Venture is exactly the same or close to it? It's actually annoying to me, dunno about you.
Did you know drummer Spike Jones got his start on The Fibber McGee and Molly Show in Billy Mills' band?
Do you know Jack Carson's "eight year old neighbor", Norma Jean Nilsson? Ever had her pictured in your mind? Did you look like this?:
I'm almost done with the first year (1942) of Billboard radio program reviews. I should start posting them today or tomorrow at a new periphreal blog site (I'll let you know where when I begin.)
As stated before, it's probably not something you are going to use everyday but it will come in handy at times, especially when you encounter a new series you are contemplating to download (is that correct grammar?)
I am adding links as I go along; I am finding some incredible OTR information out there so check the link section often for new things - especially today.
----
According ro the book, Raymond Burr: a film, radio and television biography, Burr did most of the series Fort Laramie in a wheelchair as he had an operation just before the series began.
Do you ever get the impression that every tune that calypso guitarist/singer King Moses plays on the show Bold Venture is exactly the same or close to it? It's actually annoying to me, dunno about you.
Did you know drummer Spike Jones got his start on The Fibber McGee and Molly Show in Billy Mills' band?
Do you know Jack Carson's "eight year old neighbor", Norma Jean Nilsson? Ever had her pictured in your mind? Did you look like this?:
 |
| Norma Jean Nilsson |
As stated before, it's probably not something you are going to use everyday but it will come in handy at times, especially when you encounter a new series you are contemplating to download (is that correct grammar?)
Tuesday, December 14, 2010
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